There’s so much to enjoy in this inventive production, but I particularly like the effects use. The crusty mono reverb (a spring, I’d hazard) with its clear 16th-note predelay, nicely offsets the eighth-note delay spin on “hah!”, and you can hear how filtering in the latter’s feedback path gradually emphasises the mid-range of the trailing echoes. Then the lead vocal’s echo treatment gives the right channel a significantly longer delay time, adding a cool rightwards ‘swerve’ to the tails of exposed words right up until the end of the first chorus. Unusually, though, this effect is pulled well down in the mix from then on, which serves to freshen up the second verse a little to my ear, as well as drawing less attention away from the lovely little space-invader SFX at 0:49 and the entertainingly modulated synth pad that slinks in not long after. But my favourite is what sounds like a deeply phased and/or formant-modulated backing-vocal texture at 1:25 and 1:37, and the similar effect on the middle section’s “Is it coming?” refrain. Oh, and the dynamic panning before the final choruses. Who says I can’t have two favourites?